Along the Red Ledge is one of the gorgeous album of Daryl Hall John Oates.Album's primary genre is Pop, it was released on August 25, 1996 and contains 10 tracks of duration 37 minutes and 3 seconds with a soft, smooth, and pleasant sound.. Along the Red Ledge is no doubt one of the duo's instant classics I have ever listen. 1978 should've been their year of music, just like 1973.
Along the Red Ledge | ||||
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Studio album by | ||||
Released | August 21, 1978 | |||
Recorded | 1978 | |||
Genre | Pop, rock | |||
Length | 36:49 | |||
Label | RCA Records | |||
Producer | David Foster | |||
Hall & Oates chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B[2] |
Along the Red Ledge is the seventh studio album by American pop music duo Hall & Oates. The album was released on August 21, 1978, by RCA Records. The biggest hit from the album was 'It's a Laugh' (U.S. #20, Canada #23). The follow-up single was 'I Don't Wanna Lose You' (U.S. #42).
The album foreshadowed what was to come in a few years for the duo, as they shed their previous producer Christopher Bond and went with a more polished sound with David Foster. Along the Red Ledge was the first studio album on which Hall & Oates used their road band (previously they had relied heavily on session musicians), a trend they would carry through their heyday of the early 1980s.
Former Beatle George Harrison played guitar on the track 'The Last Time'. Other contributors to the album include Todd Rundgren and Rick Nielsen of the band Cheap Trick. Robert Fripp of King Crimson played on the track 'Don't Blame It on Love'.
Track listing[edit]
Side one | |||
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No. | Title | Writer(s) | Length |
1. | 'It's a Laugh' | Daryl Hall | 3:50 |
2. | 'Melody for a Memory' | John Oates | 4:54 |
3. | 'The Last Time' | Hall | 2:53 |
4. | 'I Don't Wanna Lose You' | Hall, Oates | 3:49 |
5. | 'Have I Been Away Too Long' | Hall | 4:24 |
Side two | |||
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No. | Title | Writer(s) | Length |
6. | 'Alley Katz' | Hall, Oates | 3:05 |
7. | 'Don't Blame It on Love' | Hall, Oates | 3:58 |
8. | 'Serious Music' | George Bitzer, Oates | 4:10 |
9. | 'Pleasure Beach' | Oates | 3:13 |
10. | 'August Day' | Sara Allen, Hall | 3:06 |
Personnel[edit]
- The Band
- Daryl Hall – lead vocals (1-7, 10), backing vocals, keyboards, percussion
- John Oates – rhythm guitars, backing vocals, lead vocals (2, 8, 9)
- Caleb Quaye – lead guitars
- Kenny Passarelli – bass guitar
- Roger Pope – drums
- David Kent – keyboards, synthesizer, backing vocals
- Charles DeChant – saxophone
- Additional musicians
Along The Red Ledge Rarities
- Steve Forman – percussion
- Les Thompson – bass guitar
- George Bitzer, David Foster, Steve Porcaro – keyboards
- Robert Fripp on 'Don't Blame It On Love', Jay Graydon, George Harrison on 'The Last Time', Steve Lukather, Rick Nielsen, Todd Rundgren, Dick Wagner – guitars
- Gene Page and David Foster – string arrangements
Along The Red Ledge Rarebit
Production[edit]
- Produced by David Foster
- Arrangements by Daryl Hall, John Oates and David Foster.
- Engineers – Humberto Gatica, Tom Knox and Ed Sprigg.
- Assistant Engineers – Chris Desmond, Mark Linett, Jon Smith and Patrick Von Wiegandt.
- Recorded at Davlen Sound Studios (North Hollywood, CA), Sunset Sound (Los Angeles, CA) and The Hit Factory (New York, NY).
- Mixed by Ed Sprigg at The Hit Factory (New York, NY).
- Mastered by Pat Martin at Sterling Sound (New York, NY).
- Studio Assistants – Glen Lee and Alan Davis
- Art Direction – Dick Smith
- Cover Design – Sara Allen
- Cover Photography – Eric Kroll
- Group Photography – Barbara Gray
- Management and Direction – Tommy Mottola
References[edit]
- ^Stephen Thomas Erlewine. 'Along the Red Ledge - Daryl Hall & John Oates'. AllMusic. Retrieved 2018-09-04.
- ^Christgau, Robert (1981). 'Consumer Guide '70s: H'. Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X. Retrieved February 24, 2019 – via robertchristgau.com.
Continuing the more rock-oriented approach of Beauty on a Back Street, Along the Red Ledge is more successful than its predecessor, as the duo landed on a polished melodic pop/rock style that managed to retain their Philly soul influences without drowning their voices in distorted guitar flourishes. They would refine this sound two years later on Voices, the record that established them as pop/rock superstars.
Title/Composer | Performer | Time | Stream |
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1 | 03:49 | ||
2 | 04:55 | ||
3 | 02:53 | ||
4 | Daryl Hall / John Oates | 03:49 | |
5 | 04:22 | ||
6 | Daryl Hall / John Oates | 03:05 | |
7 | 03:56 | ||
8 | George Bitzer / John Oates | 04:11 | |
9 | 03:11 | ||
10 | Sara Allen / Daryl Hall | 02:59 |